Charleston Literary Festival
Young Writers Awards

About the Awards

The Charleston Literary Festival Young Writer Awards recognizes students with exceptional talent while promoting the transformative power of literature and encouraging creative growth.

The Charleston Literary Festival’s Young Writers Awards seeks to elevate teen voices while supporting their talents and providing the encouragement needed to be lifelong creators. The Awards align with South Carolina ELA State Standards and are open to 9th – 12th grade students currently enrolled in a Charleston County public school. The Awards offer opportunities for recognition of teachers and students, cash prizes, and participation in Literary Festival events. The Literary Festival wishes that the recognition received will show young authors that their voices are valuable and provide them with a launchpad for careers centered in the literary arts. 

CLF’s Young Writers Awards program is committed to reflecting the broad range of voices and experiences of the Charleston County School community. This commitment to the principles of diversity, equity, and inclusion is represented in the invitation to all public high schoolers to take part and our resolve to conduct the adjudication process to ensure the representation of each district.

The Awards begin as a writing contest where submitted works are adjudicated by a dedicated panel of literary professionals. The works selected for recognition are based on three criteria: originality, skill, and emergence of a personal voice. Three works are selected for each of the three categories, for a total of nine awards. The selected authors will receive a cash prize, be invited to present their work at a Literary Festival event, and their work will be published on the festival’s website. Teachers of award-winning students will receive tickets to a select number of Festival events. The purpose of this program is to build a model of support for Charleston teachers and students that will in future years provide professional development opportunities with the Literary Festival’s featured authors, direct scholarships, engaging fellowships, teen writing workshops, a rich bank of educator resources, and robust alumni engagement.

2025 YOUNG WRITERS AWARDS GUIDELINES AND SUBMISSION INFORMATION FORTHCOMING

EMAIL JEN COMER AT JENNIFER@CHARLESTONLITERARYFESTIVAL.COM IN THE INTERIM FOR MORE INFORMATION

2024 Winners

POETRY

  • Arden Johnson, Freshman at Charleston School of the Arts

    Supporting Teacher Danielle DeTiberus 

    A Poem for the Fellow Vultures

    You circle the sky 

    With your wings in 

    Slow, lazy, tracings 

    As you scout for the less fortunate 

    Your feathers fill my head, 

    My pen in hand 

    Searching for any straggling letters 

    Leftover scraps on the skeleton of a poem 

    You hover over the remains of what was once alive– 

    A corpse stripped of any value 

    Your beak clacking like computer keys 

    Against brittle starch-white bones 

    I pile my poems 

    From the rib cages of rough drafts 

    The spine of the metaphor holding up 

    The little details that flow through the sticky blood 

    Of my words 

    You scrap and struggle 

    For what remains of your reputation 

    As we poets do– 

    But we got opposite ends of the issue 

    I suppose. 

    And here I sit, 

    Picking the words from the bones 

    Of my writing

    Trying to unknot 

    The shoelace tangle of ideas 

    You have left in my brain 

    When really 

    All I am 

    Is a vulture, 

    Doing my best 

    Though it may be hidden 

    Under the flesh of fancy words 

    To recycle the messy drafts of roadkill

    And allow my poems to grow. let us

    do the world’s dirty work let you

    circle 

    and I write

  • Willard Hurley, Senior at Lucy Beckam High School 

    Supporting Teacher Sarah Hoover

    Roadside Crypts

    I drove home from a party 

    With the sky as black as the road, 

    Passing two deer 

    At the edge of their home. 

    They looked so still, so at peace 

    Near the grave of their friends, 

    How can you graze 

    Next to your kin’s end? 

    I saw a possum lying 

    dead in the road 

    Who’d leave it bleeding, and torn 

    its insides all exposed? 

    The ride back I shut the music off 

    its own silent funeral 

    But my insides screams of self-condemnation 

    It's shouting, so visceral. 

    I have second hand guilt 

    Just seeing them there. 

    When a classmate died 

    I didn’t cry at all. 

    So, why do I feel sick 

    When there’s dead in the road? 

    Blinded by the street lights 

    My eyes see through whites and grays

    But I ignore my gut and drive on As blood on my tires is all that remains.

  • Harper Hayes, Freshman at Charleston School of the Arts

    Supporting Teacher Danielle DeTiberus

    Brisbane Drive

    1. Bellyache 

    I think I will walk forever or until my body becomes what it needs to be. It is

    easier to starve than look in the mirror. It is easier 

    than kneeling and confessing 

    that I have sinned. I must drive past Brisbane 

    to get to church. Please don’t make me look. 

    2. Potential 

    The robin egg 

    a Jordan almond of a thing, so sweet and 

    small I can cup one, two, three in my hands 

    to pour down my throat. I think of you as you were – 

    whole, warmed by your siblings’ teal shells, so close 

    to hatching you were already dreaming of flight. 

    I see you as you are, a mess of life spread out 

    upon Brisbane Drive. You might have become something

    beautiful, but what do you symbolize 

    now? Overhead, a mother cries for her child. 

    3. Youngest 

    When you drive away

    and turn past Brisbane, 

    leaving home 

    I will be truly alone. I have not joked

    about taking your bedroom as my

    own in a long time. I don’t think you

    going is funny anymore.

SHORT STORY (FICTION)

  • Lucille Harper, Freshman at Charleston School of the Arts

    Supporting Teacher Danielle DeTiberus

    Walking with My Shadow

    She tiptoed into her grandmother's room, the warped wooden floorboards groaning beneath her. Yvonne huddled up next to her grandmother, covering herself with the quilt that lay on the bed. She pressed her head against her grandmother’s shoulder. Breathing in, she could smell the scent of peppermint tea sticking to her grandmother’s clothes. Every night her grandmother would brew it to help with her digestion, using mint leaves she plucked from her garden of various herbs. Yvonne remembered when she was little, pretending to make potions with her grandmother, mixing rosemary and thyme with scoops of mud. 

    “Hi, Hunny.” Her grandmother’s voice was crackly like radio static and her heartbeat matched the slow clicking of a pen. 

    She handed Yvonne a piece of paper folded neatly into a square. Yvonne placed it on her lap, giving her attention only to her grandmother, who began to speak slowly, as if it pained her. “In our culture, people don’t just die. Our bodies simply rest so that our spirits have enough energy to escape. Then, we take the place of our loved one’s shadow to continue guiding them, until we know that they will be okay without us.” She cupped a wrinkled hand around Yvonne’s glistening cheek. “Try not to step on me, okay?” Her grandmother laughed, making Yvonne smile at the sound. 

    That night, as the stars caved in and the new moon left a hole in the sky, she sat in her grandmother's now empty bed. She stared at old photographs hanging from the bone-white walls that surrounded her, the antique dresser that had dust creeping up against the flower etchings on the cabinet doors, and the medication that had failed her. She grabbed a bottle, gripping it so tensely that the tips of her fingers lost color. She threw it across the room, listening to the bang as it crashed into the wall, followed by pills rolling around loudly as if someone was playing with marbles inside the container. 

    As she stood, the slip of paper fell onto the ground, drifting away like a memory. She picked it up, carefully unfolding and reading over the bold ink words written in neat cursive. It was the same cursive handwriting that signed birthday cards and wrote down items on the grocery list 

    every Saturday. She traced the letters with a chewed nail, reading the recipe her grandmother had left her. It was one of her grandmother’s favorite things to make over the holidays, and one of Yvonne’s favorite things to eat: Angel cake. 

    As she looked over the little side notes of how to make the cake extra fluffy and how long to stir the batter, she thought about the first time her grandmother made it. She recalled the sweet, almost fruity taste and sneezing because of all the flour that was floating through the air. There were still spots of the white powder on the kitchen counter a couple days after because of how much the recipe called for. Yvonne kept going over the instructions, not noticing how the shadow of her hand would linger on some words longer than Yvonne herself, not quite mirroring her the way a real shadow might. Yvonne fell asleep in her grandmother's bed underneath the whirring beige fan blades and popcorn ceiling. When she woke up the next morning, the silence was like a tsunami washing everything out. She didn’t expect loud, but she didn’t know it was possible to

    be so unprepared for the quiet. Her footsteps echoed as she passed by the small circular dining room table with two chairs placed on either side. She stopped in front of pictures of her and her grandmother, wishing she could crawl through the glass and enter the photo as her younger self. 

    It wasn’t until she was in the living room, standing in front of the reading chair, that she noticed her shadow. Back and forth the seat rocked, the scratchy pillow behind the transparent shadow pressed down, as if someone’s body was weighing on it. The silhouette sat comfortably, waiting patiently for Yvonne to do something.

  • Adam Leon, Junior at Academic Academy  

    Supporting Teacher Monique Collins

    Tabernacle

    Alone the elderly carpenter shaved another long strip off the former log. He with a deep breath, inhaled the smell of the dusty workshop. 

    Slowly he creaked forward. Looking ahead he glimpsed the worn rifle that had hung there for many years. Would he see them again? His leathery hands gingerly lifted the carved log, and he began to move again. 

    The man pushed open the door to his workshop and momentarily watched the rain. Stepping forward carefully his boots touched the slick cobblestone road. He started to the only lit house on the street. He again paused at the door to his house to watch a small moth orbiting the lantern. She was somewhere watching him. 

    Reassured, he climbed into the house. Setting down his piece he looked at the lightly glowing fireplace. He remembered showing his daughter how to re-light a fire from embers. A little sawdust and some kindling and a roaring blaze could be reborn. His wife was upstairs rummaging around for some incense to burn at dinner. How eager Bella would be to ignite the fragrant sticks. His little moth. 

    Wandering through the forlorn house he wicked a line of dust off a rickety little rocking chair. He had helped her hold the chisel in her small hand to carve the simple designs on the back. The hoary man started up the stairs. He clung to the railing to support his weary body. He entered his bedroom and began searching. He knew they were somewhere. First the nightstand, there was nothing in the drawer a couple of pennies. Then in his dresser, he only finds the same old clothes with sporadic holes in the fabric. Finally, he found the string of wooden beads. 

    His wife made them for him when they moved out to follow that good pastor they liked listening to so much. He was different, had new ideas, and was an innovator. A whole community had formed around him, around his church. 

    The carpenter remembered crafting the supports for his church. How much time he had put into assuring that they could hold the weight of the steeple. 

    The beads were made from pine and were the one piece of wood in the house his hands had not carved. He then made his way down the stairs and back into the main room. He quickly shoved the beads into the pocket of his coat and picked up the ornate wooden vessel. 

    Stepping back onto the cobblestones, he walked past the houses of the apostates. He recalled their meetings in the basement of the church. How the blasphemous man they let in. Who stole their families with a silver tongue coated in poison. The baleful pastor they let take the reins after the good pastor died. A mistake that created these desolate roads. So they concocted a plot to get back what they once had. 

    His face creased at the memory. Now upon the chapel, the elderly carpenter. The seniors of his community were dead and gone, and those he could only remember who were young had left for further West. 

    Pushing into the foyer of the church he could taste the stink of the similar blasphemous church

    his cohort had entered twenty years prior. The stench of mothballs and rot hung in the air. As did hundreds of blowflies in the rafters and pews. All lined up resting like sandbags mouths ajar were the practitioners. Each one had its own shade of grey-brown and black eyes. One of the company, a practiced doctor called out to the rest, “They drank hemlock, all of them.” 

    As the carpenter stood up, he too saw the noxious white flower springing from the floorboards. Searching the sea of decay, he saw a small group of pine beads clutched tightly by one palm of the corpse. On the other was a smaller set of remains. 

    Salt crept its way from his eyes and down his cheek. How could? When? Why? He racked his mind. Glancing once more at the sickening sight he watched from thousands of corpse fauna as a lone moth drifted toward his lantern. 

    As the memories flashed before his eyes, he knew what was to be done. He was the guardian of the cremation. His brethren left to mourn what was lost as he remained to gaze into the roaring flame. Come morning the smell of charcoal could not leave the man no matter the ablution he did. 

    Stepping into the unsullied church he placed his tabernacle on the altar and wrapped the pine beads around his hands and softly he prayed for reconciliation.

  • Tyquan Singleton, Senior at Military Magnet High School

    Supporting Teacher Kirk Zaro

    The Echoes of Aeloria

    In the heart of the vast desert, where the sun touches the horizon with shades of crimson and gold, lay the remnants of Aeloria, an ancient civilization once vibrant and flourishing. Time had swallowed its grandeur, leaving only falling temples and whispering sands. Yet beneath the weight of many centuries, the echoes of Aeloria spirit lingered, waiting for a wandering soul to uncover its secrets. 

    Ilyas was a scholar, driven by an insatiable thirst for knowledge. He was raised on the tales of Aeloria’s wisdom, he ventured into the desert, armed with scrolls and a heart full of dreams. As he weaved through the shifting dunes, he visioned packed markets, the laughter of children, and the symphonies of artisans at work. His journey was one not merely for discovery: it was a quest to understand the essence of a civilization that had reached the zenith before fading into myth. After many days of wandering, Ilyas stumbled upon a grand archway, halfway buried in the sand. Intrigued, he cleared the entrance, revealing a pathway adorned with intricate carvings that depicted stories of gods and heroes. With each step, he felt a pulse, a connection to the past, as if the  stones beneath his feet breathed life into the ancient tales. 

    As he delved deeper into the ruins, Ilyas discovered a vast library, its shelves lined with scrolls, though many were decayed by time. He ran his fingers over the fragile parchment, deciphering the fading ink. The writings spoke of a civilization that revered knowledge and harmony, where 

    scholars and artisans collaborated to create art that transcended mere beauty. The people of Aeloria believed that wisdom was a sacred gift, and they celebrated it with festivals that lit the night sky with fire and laughter. 

    However, the scrolls also hinted at a darker truth. Aeloria had thrived for centuries, but an insatiable hunger for power had festered among its leaders. Distrust grew like a shadow, and the very knowledge that had once united the people became a weapon wielded for dominance. Aeloria fell into a spiral of greed, splintering the bonds of the community. The echoes of its once-unified  spirit began to fade, overshadowed by ambition and betrayal. 

    Haunted by the duality of Aeloria's legacy, Ilyas ventured further into the heart of the ruins. In the central courtyard, he discovered a large stone tablet inscribed with a single phrase, etched in the ancient script: “In knowledge, we thrive; in ambition, we fall.” It resonated within him, a profound warning that transcended time. 

    As he pondered the inscription, the sun dipped below the horizon, casting long shadows across the courtyard. The air shifted, and for a fleeting moment, he felt the presence of the Aelorians, their voices intertwining with the rustle of the wind. They spoke of their dreams, their hopes, and ultimately, their regrets. Ilyas understood then that their fate was not simply an echo of the past; it was a  reflection of humanity itself. 

    With newfound clarity, Ilyas returned to the library, determined to preserve Aeloria’s story. He meticulously documented the scrolls, weaving the tales of triumph and failure into a narrative that would serve as a beacon for future generations. His hands trembled with the weight of 

    responsibility: he was not just a scholar but a guardian of wisdom, tasked with sharing the lessons learned from a civilization that had once touched the stars.

    As he prepared to leave the ruins, Ilyas glanced back at the ancient archway, now shimmering in the moonlight. He felt a connection that transcended time, a bond with those who had come before him. Aeloria had taught him that knowledge is not merely to be sought but shared, cherished, and protected. He carried their story in his heart, a living testament to the fragile balance between ambition and unity. 

    Years later, Ilyas would become a revered figure in his land, a storyteller who traveled from village to village, sharing the lessons of Aeloria. He spoke of the importance of community, nurturing the bonds that connect humanity, and the eternal pursuit of knowledge tempered with humility. 

    As he recounted the tale of Aeloria, the echoes of that ancient civilization resonated through time, reminding all who listened that in the dance of knowledge and ambition, it is the heart that must guide the hand. 

    As Ilyas traveled, he met Layla, a passionate storyteller devoted to preserving her ancestors’ traditions. Together, they organized vibrant festivals, celebrating knowledge through art and music. Each gathering breathed new life into Aeloria’s legacy, uniting people from far and wide. With laughter and shared wisdom, they transformed their community, forging a future where ambition complemented unity. In those flickering lantern lights, Ilyas and Layla knew they were not just recalling the past, but building a brighter tomorrow.

PERSONAL ESSAY (NON-FICTION)

  • Chloe Crilley, Sophomore at Wando High School 

    Supporting Teacher Jeannie Fox 

    How To Exhale

    Most kids would say their biggest fears are the deep end of a pool or the kitchen at night when it is dark,  and the floorboards creak a little louder than usual. However, mine could not be consoled by closing my eyes and plugging my nose before jumping in or tiptoeing into my parent's bed, flashlight in hand. My biggest fear has always been change. 

    I stared at my wall, which once held colorful photographs and streaky light purple paint, now covered by large cardboard boxes stamped with hideous red lettering saying, “fragile! Handle with care!" Because of my dad's job, I knew that moving again was inevitable. Molly, my neighbor and best friend knew it was inevitable too, but she still cried as the moving van pulled out of my driveway. I cried too as I stepped out of her front door the morning after our last sleepover, but my tears were filled with calamitous irony. Truthfully, I hated Tennessee, and deep down I wanted to run away from that suffocating town as fast as my legs would take me. Despite that, I would much rather have stayed in a place where I was lonely and unhappy than get a chance to change everything. My tears were not out of sadness, they were out of fear. 

    Starting fresh in South Carolina was an exhale that got stuck in my lungs. Air that would go stale, a breath I would choke on for months after. My new room was nice, but I missed my old streaky paint and the huge bay windows. I peeled off the tape that sealed the souvenirs of my old life, all nestled into dusty brown boxes. The change was quick, I started school only two weeks later. By the end of February, I had a whole group of new friends and by March I even scored myself a boyfriend. Things were genuinely looking up for me and I had hope, although it was over just as fast as it came. By May, my friends were gone, and by mid-August, my boyfriend vanished too. All I had left by the end of the summer was a broken heart and a severe case of whiplash. 

    I found myself staring at my wall again, realizing that I had been abandoned by or forced to abandon every friendship I had ever made. So, I developed the mindset that if I let go of everything I had,  nothing else could be ripped away from me. I disconnected from the few 

    straggling friendships I had left and stopped letting people try to get close to me. My whole freshman year was monotonous, without change. I struggled hard in most of my classes and often got no sleep at all. The days practically melted into the next, but that's what I wanted. My fear of change had proliferated, but I insisted on calling it peace. 

    The air was still warm and lively when I visited Molly at the end of that summer. The bumps in the road  felt warm and familiar as my mom’s car drove down my old cul-de-sac. Being there was like I had just stepped through a time machine. Her room looked the same as it always has. Photo booth strips from the fourth-grade school fair were still pinned to her bulletin board and the blankets we used for our forts were still neatly draped over her bed. We went swimming, made smoothies, and went shopping during the day. At night we would watch nostalgic movies and stuff our faces with popcorn. What Molly does not know is that after she fell asleep, I would sneak off and cry in her bathroom. I thought that I was just overwhelmed or homesick. Though looking  back at it now, it is clear to me that my stomach was swollen from regret. 

    All at once, memories from the continuous years when I felt nothing, but pain and emptiness

    surrounded me, sucking me through a time warp and crushing my lungs. I was ten years old again, crying on my tire swing because the girls who lived behind me told me I wasn’t skinny or popular enough to be friends with them anymore. I was twelve again, crying in a bathroom stall because I felt like I didn’t belong and people in my class kept making fun of me. I was thirteen again, staring at a social media post, where a group of girls laughed about how they were happy I was moving, saying that nobody liked me anyway. That’s when I realized that because of change, I am not that girl anymore. Moving let me learn what happiness feels like and how to love myself. The changes that had taken shape in my life since moving to South Carolina had smoothed the edges I would cut myself on over and over again. All it took was a trip to the past, to realize that I like the future more. 

    Two weeks later, I started my sophomore year and vowed to stop self-sabotaging my friendships, to go out and experience new things, and to stop letting my fear of change hinder me from finding my place in the world. Through all of that, I not only found the difference between truly living and simply surviving, but I also got over my biggest fear. 

    When you breathe in air, the oxygen moves into your blood. The bad stuff though, the carbon dioxide, gets filtered and sent straight to your lungs, where you then exhale it all back out. This happens subconsciously of course, but it is a basic function of life. In my opinion, change is a lot like that process; learning how to deal with it is like learning how to exhale. Even if I do find my bedroom walls covered up with cardboard boxes again, I think I would be okay. I wouldn’t be leaving my whole life behind me, I’d be taking it with me.

  • Madeline Leluc, Junior at Charleston School of the Arts

    Supporting Teacher Danielle DeTiberus

    Through Our Eyes

    Main Street was Aiken’s sad attempt at a downtown. There was one restaurant, one bar, one store, and one salon–which is where my mom was, getting her hair done. She had forced me to get out of the house, I hadn’t left it for something other than school in weeks. The Vintage Mall was exactly what it sounds like. An old building, with red neon signs outside spelling its name–most of which aren’t lit anymore. The beige paint is peeling off the sides, revealing its brick foundation. There are posters on the outside, which I presume didn’t always look so faded. 

    I didn’t recognize myself in the glass reflection of the front door. My greasy hair sat flat around my pale, bare face. I had acne for the first time, all across my forehead and cheeks. I wore my brother’s clothes, which sagged and drooped in all the wrong places. I couldn’t remember the last time I looked in the mirror, and I made no effort to fix my appearance, I had accepted defeat. 

    I was fairly certain that the store was closed, as the lights were off and no one was inside, but the doors were unlocked, so, I let myself in. I dragged my feet down the aisles; guns and hunting knives were displayed along the glass shelves. The carpet was green and lined with red flowers; it smelled like rotten milk–or maybe that was my sweatshirt. While surveying the vintage tea sets, a lens caught my eye in the corner of the store. Shuffled behind Coca-Cola merchandise from the 60s and Vietnam War propaganda was a Sony A7CII. As I blew the dust off of it a faint voice spoke behind me. 

    “You’ve got a good eye,” it said. Before I could think I reached for the pepper spray in my pocket and swung around. 

    “Calm down there, Lara Croft,” the dark figure lets out a wheeze. It takes a second for my eyes to adjust and make out the body a few feet away from me. It’s an old man, probably in his 80s, wearing a cowboy hat and boots. Underneath the hat peeks out bits of grey hair, which frame his sagging face. He’s hunched over a walker, which seems to be more of an extension of his frail arms than a tool to help him move. I put the pepper spray back in my pocket and mumble something along the lines of sorry. 

    “Do you want some candy?” He asks. I make him repeat the question to make sure I hear him right. I do. 

    “You know you really have to work on your kidnapping skills,” he chuckles and hobbles away. Both my lack of self-preservation and fervent curiosity lead me to follow him. I bring the camera with. He takes me across the store, through a small doorway into what I presume to be his office. There’s a wooden desk that takes up most of the room. An oil lamp lights the space, casting shadows of our bodies along the wallpaper. He reaches for something in his drawer and hands me a lolly-pop. I put it in my pocket, he seems to understand why. 

    “That belonged to my pops,” the old man nods his head to the camera in my hands. Each word is drawn  out with a slow cadence. He takes a seat in the chair behind his desk, I stay standing, by the door. 

    “He brought it to Germany, never made it back though. His brother, my uncle, brought the camera home and shuffled it into the back of the store. I forgot we had it,” his accent dances with the lilt of the deep South.

    “Do you want to hold it?” I surprise myself by speaking. I cringe at the way I talk. The old man doesn’t seem to notice. His face changes when I ask the question. His eyes look into mine, and I can finally see him. His pupils are milky and glazed over, like an old dog. The old man seems to know what my question is before I get the chance to ask it. 

    “I’ve owned this store for sixty years, just because I’m blind doesn’t mean I’m stupid,” he pauses, “and I’ve never held a camera before, I don’t want to break it--" 

    “Here,” I crouch next to him and put the camera strap around his neck. I teach him how to focus a picture, adjust the aperture, and stabilize a shot. His fingers glide over the buttons, he’s gentle, careful not to press anything too hard, always asking if he’s doing the right thing. After a few test shots, he asks a question. 

    “Do you mind if I take a picture of you? I want to remember this.” I let out an awkward teenage chuckle to ease the tension. 

    “I would love that,” I reply. I move a few steps backward, creating distance between him and I. He struggles a bit at first remembering where each button is. I offer to help, but he’s persistent on figuring it out alone. It’s during this intermediate passing time, his and my mutual struggle, when I realize who we are. We are two strangers, separated by decades of life in age, birth, sex, brought together by a piece of machinery. A piece of machinery built by people with their own lives, their own struggles, and fortunes. And somehow it has ended up in the hands of a fourteen-year-old,  and a blind eighty-year-old. In that small, forgotten corner of the world, I had 

    found not only a camera but a man, with a story. It’s not that his world was this small office while my  world was everything else, no, we shared it, we lived in it together. 

    I watch as he positions the shot and aims the scope at his target. He closes one eye, positions the other one  down the barrel, and pulls the trigger. I close my eyes and smile.

  • Tucker McManus, Sophomore at Academic Magnet Academy 

    Supporting Teacher Monique Collins

    Last First Day

    Camp Rim Rock is situated in the West Virginian mountains, two hours away from the nation’s capital. My grandmother called its forests and slamming screen doors home sixty years ago, and I’ve called its gravel paths and ramshackle cabins the same for six summers. Whether it was at age six, first stepping into the Chippewa unit with a stack of books waiting to be read; or, when I was fourteen, returning after a three-year hiatus with a beaten-up CD player and The Essential Bob Dylan. Every year the walk from car to cabin was the same: shirt stuck to your back, the nauseating yet nostalgic smell emanating from the barn, and that ephemeral haze unique to the camp’s grounds. Rim Rock had been a reprieve from teenage angst and parental guidelines for generations, but that summer its promise of friendship bracelets tied on tanned wrists was plagued by a sense of dread. I was fifteen, and it was my last first day at camp. 

    Saying goodbye to my dad at the foot of Choctaw Hill, I stood to watch counselors and campers hike up and down the seventy-five-degree incline. It must have been close to the thousandth time I’d seen that hill, but something made me stop and look. The pale green forestry filtered sunlight on the gravel, painting shapes of pure and clean light. The painstakingly steep summit enabled fifteen-year-old girls like myself to plan pranks on Sioux unit and gossip as loud as possible during unlimited flashlight time. Each stone at the edge of the path had seen the yearly fleets of first years clinging to their parents and last years excitedly catching up with their friends about the past school year’s drama. That hill had seen over sixty years of girls forming lifelong friendships under the guise of summer shenanigans. 

    I began trudging up the hill, thinking about the upcoming two weeks. This hill never gets easier I swear. Are Joni and I bunkmates this year? Is Choctaw going to win Singdown? Will all my friends in other cabins come to cabin four during flashlight time? What horse will I get? If I get Royal again and she bites another hole in my favorite shirt I will flip out. 

    That may have been my last summer, but everything felt the same. The tiny campers were still shepherded to and from units by their counselors, the drama pavilion was still adorned with its fading red curtains, and cabin four was still my favorite in all of Choctaw. At the top of the incline, one of  my oldest friends launched herself at me, almost sending me rolling down the hill. 

    “Melanie! Guess who you’re sharing cabin four with this summer!” Laura said, her knuckles white from the vice grip around my shoulders. Her voice sent me back to Chippewa when we first met and through the summers since evading sports counselors and lounging by the pool. 

    I shrugged her off and laughed before dropping my bag at the foot of the cabin. The three uneven stairs  greeted me, almost beckoning campers to give the shack back the life it missed so badly during winter. “If it’s anything like the past six summers, I’m guessing Joni and Andrea?” I said, my tone sarcastic and playful. 

    “Just like every year,” Laura said, the crack in her smile betraying the same feelings of a fleeting childhood and the need to make this summer the best one yet. 

    “I can’t believe this is our last first day as campers. It just feels so surreal, y’know?” I said, already over the awkward introduction phase that weighs on the first day. 

    “Oh, I know, and this year is gonna be crazy. I heard that only half the showers work and there’s

    no hot water,” Laura said, nodding her head towards the tiny house that served as our unit’s bathrooms. As I shifted my gaze around the Choctaw’s main fire circle, Andrea caught my eye through the screen windows of cabin four. I shot her a quick wave and grabbed my trunk before walking towards the door. As I entered cabin four, I knew it was home for the summer. 

    *** 

    The only thing that chirped louder than the crickets on that humid summer night were the nine girls crowded into cabin four. Hours were spent recounting horrible dates, messy friendships, and a boundless game of truth or dare. After Joni’s watch beeped midnight, the flashlight that illuminated excited eyes belonging to my friends from visiting cabins finally went out. The silence that followed their departure was deafening. I crawled back to the top bunk I claimed earlier that day and looked for a reprieve from the continuous loop of thoughts plaguing my mind. The CD player I’d brought was too tempting to pass up, and Sufjan Stevens’ Carrie & Lowell was the soundtrack to my nightly reflections. Today was the last time I’d ever have to do a swim evaluation. I can’t believe Joni got back with her boyfriend, that’s the human equivalent of a paper plate. Only twelve more nights sleeping on mattresses thinner than a sheet of paper. Less than eight hours until day two. God, I’m going to miss this place.  

    Though it may have been the last time I’d have the rush of a first day at camp, the memories and friendships formed during those six sessions sandwiched between the Blue Ridge Mountains will follow  me forever. Laura still calls to update me on her latest flings, Andrea still sends me new music she finds,  and Joni and I still call once a week to debrief on each other’s lives. We may not be enclosed by rotted wood and suffocated by Joni’s Bath and Body Works collection, but the camaraderie crafted by fire pits and secrets swapped will always remain a constant in my life. I may have left Camp Rim Rock in the past, but a part of me will forever be stuck wandering its beaten-down paths.